THE DEFINITIVE GUIDE TO DANCE FRIDAYS

The Definitive Guide to Dance Fridays

The Definitive Guide to Dance Fridays

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I envision this timing likely developed throughout the Palladium period yet I have not verified that. Eddie Torres began instructing and promoting this timing start in the 1980's, from what I comprehend. He was mentored by the late June Laberta, a ballroom dancing educator, who helped him develop his method and timing.


The story I'm continually told right here, that still needs additional investigation, is that as salsa began getting to new audiences beyond the Caribbean and New York City, it was much easier and much more intuitive to teach cultural outsiders to dance On1 instead of On2. This story doesn't account for the truth that I've heard Rueda de Gambling enterprise was initially danced a tiempo On3 in Cuba.


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Salsa On1 is simply among numerous salsa timings you can dance to and it is the most common timing you'll locate on the planet today. Salsa On1 timing definition: "On1" means you begin dancing on the first beat of bench of songs the 1. Your break steps (instructions modifications) get on beats 1 and 5.


The exemptions I've found up until now, where On2 is most typical, would certainly be around New york city and in South Korea (Bachata Dance San Francisco). I'm certain there are various other locations that dance mainly On2 yet I haven't danced in every country yet! If you're not sure what timing is most typical where you live, ask your local dance workshop


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When a person states "I dance salsa On1" they most likely imply "I dance straight style salsa On1" (although you can dance any type of style of salsa On1, people typically indicate direct design). Don't worry if you've stated these points in the past, it's all good we all have! The essential point is to bear in mind there's a distinction in between style and timing and deepen your understanding so you can be much more accurate when chatting about salsa with your good friends.


It links well with the phrasing in the music, especially the piano, and other percussion instruments like the cow bell and giro. Timing and style are two various points, so different the concepts when you discuss salsa with your buddies. Regardless of what timing is most typical in your region of the world, remember you can technically dance any style of salsa Bachata San Francisco to any kind of timing explore and appreciate! Desire much more? Take a look at this deep dive on the difference between dancing salsa On1 vs On2 when dancing a tiempo.


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There is an original mambo dancing that came from Cuba and after that spread out to Mexico and New York in the 40s and 50s, these days when someone claims "I dance mambo" they imply salsa On2, which is different than the initial mambo dance. The occasional free-from steps of the original mambo were danced solo.




Which's what we refer to as mambo or salsa on2 today. As the dance started to spread, On1 timing began to end up being prominent. Salsa On2 interpretation: "On2" implies you start dancing on the initial beat of the bar of songs the 2. Your break steps (direction adjustments) get on beats 2 and 6.


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A whole lot of professional dancers appreciate dancing On2 for the diverse methods you can attach to the songs. Boy cubano is the songs and dancing that came before mambo and salsa.


It links well to the clave, bass and conga - Bachata San Francisco. Cha-cha is similar to dancing On2 contratiempo yet you add the triple step on 4 and 8. Danced to the exact same beats as On1, your break steps are now on 2 and 6, which transforms the feeling of the dance.


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This timing is virtually the same to contratiempo On2 yet the steps that are generally on 4 and 8 are on 4. It's practically like a timing in between a tiempo and contratiempo.


5 instead of 5) you're dancing this syncopated timing. In truth it appears it's typically danced as kind of a "mistake" for anybody dancing the previous 2 timings.


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As discussed earlier, this was the initial interpretation of dancing on clave (boy clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as several actions of your basic as feasible with the strikes of the kid clave.


Things concerning songs and dance is that there is no right or incorrect. There is just analysis. You can dance on any kind of timing you such as! Naturally, individuals have located a method to dance on practically every timing feasible to child and salsa songs. People dance On3 for the exact same reason you dance On1 since it emphasizes the solid beats of 1-3-5-7.


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Allow's look at the beats you dance On1 to: -2-, -6- (strong beats are in strong) Allow's consider the beats you dance On3 to: -4-, -8- (solid beats are in bold) Notice how the strong beats are spaced precisely the exact same for On1 and On3? All you do is beginning stepping On3 instead of On1.


That's why dancing On3 is so typical in Latin America. Individuals either Attempt to dance On1 yet begin tipping On3 by accident and it works out simply penalty, or They do not know much about timing and are just translating what they listen to in the songs, based upon their experience maturing in a society with salsa.

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